Thursday, January 16, 2014

Spotify Vs. Radio Vs. Beats Music - The Streaming Wars

A new phrase i've begun to hear a lot of lately is "the streaming wars." Streaming music services are still a bit of an up-and-coming, with services like Spotify and Rdio battling it out for dominance. The newest player to the game is Beats Music (also the makers of the popular beats headphones). With Beats Music set to launch January 21 (as a paid subscription service), Spotify and Rdio have have now countered by offering free ad-supported unlimited listening to their offerings, leaving listeners with almost no incentive to play for monthly plans (besides going ad-free)

The question this raises is what happens when these services begin undercutting each other? Undercutting, by it's nature seems to be a linear movement, where one can't go back and make changes back in the direction they were originally without a mass exodus of angry listeners. And where does it stop? And furthermore, who wins and loses here? The listeners win (at least short term), because they have to spend less, or even no money to still enjoy streaming the music they enjoy.

What happens to the bands/artists who have music available for streaming? It seems they would probably be paid on the ad-supported scale and make considerably less than the very small amount they are making currently through streaming. For those at the top, I could see this being an inconvenience, but musicians who are in the working-class category could take a big hit if undercutting goes too far. On a personal note, I have quite a bit of music available for streaming, and although it's not a significant source of income, it certainly does help fill in the cracks. If my streaming payments took a dive, I would definitely feel it.

And what happens to the streaming services themselves? It seems we're still a bit too early in the game to predict the final outcomes, but certainly the best services will rise to the top and the rest will dwindle down and fade away. But will the best continue to stay on top? If artists start losing too much money with streaming, will they remove their music from the streaming marketplace and try and find another way? Where will the streaming services be then?

It seems like really looking at the situation as a whole shows it's complexity and seems to raise more questions than it answers. There are a lot of different parties involved (the service providers, the investors, the artists, the labels, and the listeners) and each is trying desperately to contribute it's own point of view into the conversation. And so, I sit here listening to some music and wondering what in store for the great streaming wars of 2014. Hopefully, less questions and more answers.

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Right now i'm listening to:
Innocence (Electric Youth)

Saturday, December 14, 2013

Keep Time (Version 1.5)

If you play the guitar, drums, bass, piano, percussion, sax, violin, harp, sitar, mandolin, cello, ukulele, xylophone, recorder, flute, clarinet, trumpet, triangle, or even woodblock (or know someone who does), I have an app that will be a big help to you (or your friend)!

Keep Time is a free metronome app for ios devices (iPhone / iPod Touch / iPad) developed by myself and Justin Okun of Okunarium Labs.

We've just updated Keep Time to Version 1.5, and it's a big update for us! The app is now universal, meaning that iPod and iPad users will get distinct experiences when using the app. Until now, iPad users have been forced to use the app in the iPhone-esque 2x mode, resulting in a quality that is not-ideal. The app looks beautiful on the iPad, and we're excited to share it with you!

Justin and I have also been planning several updates that we hope to bring you in the next year, but for now, they are going to be kept tightly under wraps!

In the meantime, here's a new video about keep time! Please watch it, enjoy it, and share it with your musician friends!

Related links:
https://itunes.apple.com/us/app/keep-time/id574330593?mt=8
www.okunariumlabs.com
www.facebook.com/okunariumlabs
www.notsobrightproductions.com


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Right now i'm listening to:
Here Comes The Flood - Live At Guitar Center (Peter Gabriel)

Sunday, November 17, 2013

Play-Along Drum Tracks

I'm excited to introduce a new video series I've started work on recently, called "Play-Along Drum Tracks." Play-Along Tracks are different drum beats in different styles and at different speeds.

The hope is that different musicians (including my many students) will find these useful for practicing. I've always found that playing along with a beat can make practicing, or just jamming a much more enjoyable experience.

Although the beats do occasionally include percussive elements, I'm trying to keep them free of other instruments, so the player can choose the notes/keys he or she feels is best. 

This is an ongoing series, and the plan is to keep expanding it over time. I encourage you to try a few out and see if you enjoy them! If you do, please let me know if there is a song (or songs) that you like the drums for that I can emulate and include in the series.

For a complete list of all the Play-Along Drum Tracks, including descriptions and bpm's, please visit the link below.

Related links:
www.christopherbright.com/play-along


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Right now I'm listening to:
Right Back To You (Electric Youth)

Thursday, February 28, 2013

Asleep In The Arms Of The Sea

On February 15th, after several years of recording and countless ups and downs, Glider released a new album called "Asleep In The Arms Of The Sea." As the drummer for Glider, having the album finally released is especially exciting, especially since there were times when all of us in the band thought that the album would never be completed. To celebrate it's release, I wanted to take a few minutes to look back at a few of the memories I have of creating the album...

The oldest emails I have concerning the album date back to march of 2007, but I'm fairly sure we started tracking in 2006. At that time, we were recording at a pretty aggressive rate and sending demos and bounces back and forth, trying out different ideas. It was definitely an exciting time.

We had a practice studio in Santa Ana as well, and we spent a lot of late nights there writing, as well as demoing songs onto an old video camera. When we would leave the lockout and go back to Rory and Brian's, Rory would take the audio off the camera and make us all CD's to listen to.

I also have a vivid memory of being at South Coast Plaza and getting a call from Brian. He said he had come up with a name for the album. He wanted to call it "Asleep In The Arms Of The Sea." I remember really liking the name a lot.

Long story short, our momentum slowed, and the years passed with no release in sight. Rory moved to Santa Cruz, Brian and I started playing in other projects, and the album was left in a state of limbo. We tried a few times to get some momentum to finish recording, but it never seemed to stick. Every ever so often, I would come across a song or a CD-R full of Glider demos and I'd listen to it and wish that we could find a way to put the album out.

In late 2012, we decided to give it one last try. Then we got some bad news. The hard drive that we had used for recording the album had broken. Needless to say, it was pretty devastating, but as we each spent time listening to copies of the songs we had that were "in progress," we felt that it was actually very listenable in the state that it was in. Ultimately, we made the decision to release it as a "snapshot" of where it was, and where we were intending to take it. 

We all went through all of our old Glider recordings (on CD-R's and our computers) and finalized a track list. Then, we sent the songs up to Rory and he mastered them in his studio. What resulted is something we're all very proud of, and very proud to share with you as well.

Related Links:
Glider - Asleep In The Arms Of The Sea (Bandcamp)
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Right now I'm listening to:
Glider (Asleep In The Arms Of The Sea)

Monday, February 4, 2013

NAMM 2013

I recently had the privilege of attending the 2013 NAMM show in Anaheim. As always, it was an exciting event! Here are some of the highlights:


- Abbatron's new "Genesis-Pure" instrument cable. Abbatron makes the highest level of cable components on the market, and have raised the bar with the Genesis-Pure. It's currently being blind-tested and is consistently coming out in 1st, and at 1/4th the price of the leading competitor.

http://www.abbatron.com

- Getting to meet/chat with Fabrice Gabriel of Slate/Eiosis fame about his newly relaunched "Air EQ" plugin. It looks quite strong and I think it will be a huge asset to my recording/mixing. I believe Fabrice was saying that it should ship in march.

http://www.eiosis.com

- Getting some hands-on with Steven Slate's new Raven Mtx and Mti touch-screen production consoles. They are aimed at really speeding up your workflow, and will work will all major DAW's. The price-points are also very reasonable. I believe these will be sold exclusively through GC-Pro.

http://www.slateproaudio.com / http://www.gcpro.com

- Farmer Foot Drums. These have to be seen to be believed. They are handcrafted drums/percussion instruments that are mostly played with your feet. They are absolutely perfect for solo musicians who are out gigging. They had a great sound, and seemed very well-built.

http://www.footdrums.com

- Ukuleles everywhere, as far as the eye can see.

- Standing 3 feet away from Jordan Rudess of Dream Theater as he demo'ed Synthogy's Ivory 2 virtual instrument (which is amazing, by the way). Musicians like Jordan are always very inspirational to see, because they show the rest of us what's the level of what's possible, and encourage us to keep pushing ourselves to move forward.

http://www.jordanrudess.com / http://www.synthogy.com

The 2013 NAMM Show




























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Right now I'm listening to:
Don Ho (Moonlight Lady)

Tuesday, October 16, 2012

The Break Up Season - Friends & Rivals

Many years ago, I was in a band called "The Break Up Season." We played throughout Orange County, CA, including local hotspots such as Koo's Cafe, Chain Reaction, and The Galaxy. Before disbanding, we were working on an E.P. that was going to be titled "Friends & Rivals."


Several years later, I came across some old band CD's and tapes, and got to thinking about The Break Up Season. With the help of Rikio Ahara, I was able to track down some instrumental cuts from our Friends & Rivals recording sessions.

What results is a snapshot of what the vision for Friends & Rivals was, along with two acoustic demo tracks. 

The Break Up Season was:
Rikio Ahara (bass, vocals)
Christopher Bright (guitar, vocals)
Nathan Gammill (guitar)
Jeff Olson (drums)
John Tu (guitar)

Related Links:
www.christopherbright.com/the_break_up_season 


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Right now I'm listening to:
Circa Survive (Violent Waves)

Tuesday, September 25, 2012

Video Archives: James And West @ Surf City Saloon

In 2008, I played a few shows with James And West at the Surf City Saloon in Huntington Beach, CA. I recently got a hold of two of the shows, and am presenting them here in the playlists below...




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Right now I'm listening to:
The Narrator Is Lying (Self-Titled Release)